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Media-cabinet 6

 Container

Contains 156 Results:

CD-Roms of artworks by Proctor from the collections of Jonathan Grant Galleries, Christchurch Art Gallery, Auckland Art Gallery and Roma Ford (Proctor's daughter)., 2000s

 File — media-cabinet: 6, drawer: 5
Identifier: MSS. Archives. FA 2013/04. Series 2. File 2/4
Scope and Contents From the Collection:

This collection represents the research material amassed by Leo King relating to Minnie Francis White (1891-1984), Robert Field Procter (1879-1984) and Betty Beadle (1924-2002).

Material includes reproductions of paintings and drawings, with information about the collections where the artworks are housed; correspondence between King and various art and cultural institutions; historical documentation, genealogical tables and press clippings.

Dates: 2000s

Dan Graham - Pavillions., 1975

 File — media-cabinet: 6, drawer: 6
Identifier: MSS. Archives. FA 2013/14. Series 1. Sub-Series 1/1. File 1/1/1
Scope and Contents From the Collection: The collection predominantly consists of video works from the latter part of Darcy Lange's career and is arranged into two series: 'Videorecordings' and 'Historical material'.Series 1 - Videorecordings, includes examples from two suites of work: theArtists at Work series; and an earlier series produced during the 1970s entitled People at Work.The Artists at Work suite,...
Dates: Majority of material found within 1975

Rick Killeen., 1998 - 2000

 Item — Multiple Containers
Identifier: MSS. Archives. FA 2013/14. Series 1. Sub-Series 1/2. Item 1/2/14
Scope and Contents From the Sub-Series:

DVD access copies were made from VHS tapes. Lending copies are available in the Fine Arts Library Main Collection.

Dates: 1998 - 2000

Fuyuko Akiyoshi: Untitled (2000); (always) Away from here; Rehearsing a dissappointment; and works in progress, 2000s

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/1
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: 2000s

Christine Berndt: Die Aufseherin, 2001 - 2001

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/2
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: 2001 - 2001

Karl Chitham: Rorcharch, 2001 - 2001

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/3
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: 2001 - 2001

Emily Cormack: three examples of her work. Inter Viros installation detail; Cello with 2 Guitar Strings video; and Pilfer video, n.d.

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/4
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: n.d.

Wanda Gillespie, n.d.

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/5
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: n.d.

Mark Harvey: samples of work. Salon C (installation/sculpture); 4X4 Explosion (video); and C60 (live), 2000 - 2000

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/6
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: 2000 - 2000

Marg Lovell-Smith: Skin and Bone, 4 video clips, n.d.

 File — media-cabinet: 6, drawer: 8
Identifier: MSS. Archives. FA 2014/12. Series 4. File 4/7
Scope and Contents From the Collection:

This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.

In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.

Dates: n.d.