Media-cabinet 6
Contains 33 Results:
Fuyuko Akiyoshi: Untitled (2000); (always) Away from here; Rehearsing a dissappointment; and works in progress, 2000s
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Christine Berndt: Die Aufseherin, 2001 - 2001
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Karl Chitham: Rorcharch, 2001 - 2001
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Emily Cormack: three examples of her work. Inter Viros installation detail; Cello with 2 Guitar Strings video; and Pilfer video, n.d.
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Wanda Gillespie, n.d.
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Mark Harvey: samples of work. Salon C (installation/sculpture); 4X4 Explosion (video); and C60 (live), 2000 - 2000
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Marg Lovell-Smith: Skin and Bone, 4 video clips, n.d.
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Briar March: Identity projects, one channel work; This is me as seen on TV, installation projection loop; Running self portrait, projection loop., 2001 - 2001
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Razza, n.d.
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.
Ben Rood, 2002 - 2002
This collection consists of a visual record of the shows held at the George Fraser Gallery from the late 1980s through to the early 2000s. It also contains files of artists' work; not all artists represented went on to exhibit at the Gallery, but the files were retained as part of the gallery records.
In addition to the images, the collection includes some examples of exhibition applications and published ephemera used to promote and supplement the shows.