Poster-cabinet 6
Container
Contains 18 Results:
Family Group : The Last Hours: Death with Relatives Nearby, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/5. Item 115-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
A Bay, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/5. Item 116-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
A Quay “To the Quoin Club with Best Wishes”, 1922
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/6. Item 131-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1922
Frank Sherman, All Quiet on the Western Front, 1931
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 133-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1931
Harry Wallace, Smith's Bush, Takapuna, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 135-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Hiroshige (1796-1858), Station 17 : Yui Fuji from Satta-Yoge overlooking Saruga Bay, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 148-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
6, Bird on a blossoming branch, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 150-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Dominique Ghirlandio An Apostle or (Joseph?), engraver: A. Didier,, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 158-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Dominique Ghirlandio, An Egyptian, engraver: A. Didier,, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 159-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
B. Lampied, Two men on horseback; scored through, 100 impressions taken, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 162-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
George Baxter (1804-1867), Bowl Polyanthus, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 166-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
H. Senior after Flora Scales, Winter Ploughing, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 168-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Hans Holbein, Jane Seymour Queen, Chalk Drawing at Windsor Castle Cat. No. 12267, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 170-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Five prints cut from magazine, one hotel menu, and lithograph of N.Z. Native Birds, undated
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 178-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Sketch of boats moored in a harbour, attributed to John Weeks, 1920s
Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 179-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1920s