Box 2
Container
Contains 63 Results:
Howitt, The Setter, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 161-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
B. Lampied, An Albanian, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 163-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
B. Lampied, Battle Scene, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 164-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
George Baxter (1804-1867), Turn of the Monsoon, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 165-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
H. Senior after J. Haley, Cornwall Park, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 167-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
J. Rogers (after Van Dyck?), Cornelius van der Geest, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 169-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Felix Vallotto, Puvis de Cavannes, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 171-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
E. Gordon Craig, Sir Henry Irwin, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 172-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
E. Gordon Craig,A Study, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 173-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Frank Brangywn, Alms-house, Dixmude, Belgium, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 174-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated