Skip to main content

Box 2

 Container

Contains 63 Results:

Howitt, The Setter, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 161-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

B. Lampied, An Albanian, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 163-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

B. Lampied, Battle Scene, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 164-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

George Baxter (1804-1867), Turn of the Monsoon, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 165-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

H. Senior after J. Haley, Cornwall Park, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 167-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

J. Rogers (after Van Dyck?), Cornelius van der Geest, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 169-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Felix Vallotto, Puvis de Cavannes, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 171-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

E. Gordon Craig, Sir Henry Irwin, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 172-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

E. Gordon Craig,A Study, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 173-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Frank Brangywn, Alms-house, Dixmude, Belgium, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 174-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated