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Box 2

 Container

Contains 63 Results:

Hiroshige Ando, Sumiyoshi in Settsu Province, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 149-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Mitsuoki Tosa, Artisans in straw, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 149a-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

A Church Door, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 151-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Miranda, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 152-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

West Gate, South Hampton, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 153-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

A Church Interior, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 154-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

The Ogre’s Towers, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 155-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Fountain, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 156-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Dominique Ghirlandio, La Vierge a L’Eglantine, engraver: A. Didier,, undated

 Item — Box: 2, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 157-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

E.W. Wilkin, Keeper and Deer Hounds, engraver: Andrew Duncan, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 160-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated