Box 2
Container
Contains 63 Results:
Hiroshige Ando, Sumiyoshi in Settsu Province, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 149-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Mitsuoki Tosa, Artisans in straw, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 149a-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
A Church Door, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 151-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Miranda, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 152-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
West Gate, South Hampton, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 153-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
A Church Interior, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 154-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
The Ogre’s Towers, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 155-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Fountain, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 156-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Dominique Ghirlandio, La Vierge a L’Eglantine, engraver: A. Didier,, undated
Item — Box: 2, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 157-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
E.W. Wilkin, Keeper and Deer Hounds, engraver: Andrew Duncan, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 160-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated