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Box 2

 Container

Contains 63 Results:

M. Gulliver, Schooner, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 138-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Kit Turner, Two Yachts, 1912

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 139-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1912

McPerydead, Homewards, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 140-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

W.S. Percy, Grafton Bridge, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 141-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

G. Minhinnick, Hillside and trees, 1922

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 142-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1922

G. Minhinnick, Three Trees, 1925

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 143-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1925

Roy Davies, Cox's River Camp, 1922

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 144-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1922

Ba-en, A Man of high character in his hermitage, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 145-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Sharaku, Third Ichikawa Yaozo (A warrior), undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 146-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Sharaku, Two players – Segawa Tomisaburo, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 147-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated