Box 2
Container
Contains 63 Results:
M. Gulliver, Schooner, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 138-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Kit Turner, Two Yachts, 1912
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 139-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1912
McPerydead, Homewards, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 140-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
W.S. Percy, Grafton Bridge, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 141-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
G. Minhinnick, Hillside and trees, 1922
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 142-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1922
G. Minhinnick, Three Trees, 1925
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 143-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1925
Roy Davies, Cox's River Camp, 1922
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 144-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1922
Ba-en, A Man of high character in his hermitage, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 145-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Sharaku, Third Ichikawa Yaozo (A warrior), undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 146-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Sharaku, Two players – Segawa Tomisaburo, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 147-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated