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Box 2

 Container

Contains 63 Results:

Mills Lane Evening, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/6. Item 129-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Mills Lane Evening, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/6. Item 130-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Bethell's Beach, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/7. Item 132-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

[Unidentified landscape], 1920

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/7. Item 190-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1920

A Square at Night, 1925

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/8. Item 134-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1925

Trevor Lloyd, Greeting, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 118-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Trevor Lloyd, The Day of Rest, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 119-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

Trevor Lloyd, Lizard Skin, undated

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 120-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: undated

A.A. Schmidt, Two Nude Women, 1914

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 136-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1914

M. Gulliver, Queen Street with Victoria Arcade, 1912

 Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 137-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1912