Box 2
Container
Contains 63 Results:
Mills Lane Evening, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/6. Item 129-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Mills Lane Evening, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/6. Item 130-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Bethell's Beach, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/7. Item 132-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
[Unidentified landscape], 1920
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/7. Item 190-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1920
A Square at Night, 1925
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/8. Item 134-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1925
Trevor Lloyd, Greeting, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 118-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Trevor Lloyd, The Day of Rest, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 119-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Trevor Lloyd, Lizard Skin, undated
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 120-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
A.A. Schmidt, Two Nude Women, 1914
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 136-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1914
M. Gulliver, Queen Street with Victoria Arcade, 1912
Item — Box: 2
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/2. Item 137-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1912