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Poster-cabinet 6

 Container

Contains 26 Results:

A.F. Goodwin, The Timber Yard, 1919

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 1. Sub-Series 1/1. File 1/1/2. Item 3-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1919

T.V. Gulliver, The Pontoon, 1919

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 1. Sub-Series 1/1. File 1/1/2. Item 4-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1919

P. Bagnall, Portrait (the artist's father), 1919

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 1. Sub-Series 1/1. File 1/1/2. Item 5-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1919

Taupo, 1929 - 1929

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 91-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1929 - 1929

Bank Street, 1932 - 1932

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 92-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: 1932 - 1932

Studies of faces, n.d.

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 93-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: n.d.

Seated woman in profile, n.d.

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 94-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: n.d.

Details of draped arm and hand, n.d.

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 95-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: n.d.

Seated female nude in profile, n.d.

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 96-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: n.d.

Two studies of a seated female nude, head turned to left, n.d.

 Item — poster-cabinet: 6, drawer: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/1. Item 97-77
Scope and Contents From the Collection: This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art. The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings. In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates: n.d.