Box 1
Container
Contains 84 Results:
Scoria Pit, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 37-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Scoria Pit, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 38-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Scoria Pit, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 39-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
The Scow, 1913
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 40-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1913
Myrtle Berries, 1919
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 41-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1919
The Ferry Tower in Rain, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 42-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
Goldie’s Mill, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 43-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
The Two Trees, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 44-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
The Two Trees, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 45-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
The Two Trees, undated
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 46-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
undated
St. Matthew’s from Baker Street, 1919
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 47-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1919
St. Matthew’s from Baker Street, 1919
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 48-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1919
Trees, 1920
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 49-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1920
Cox’s Creek Bridge, 1920
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 50-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1920
Sunrise, 1920
Item — Box: 1
Identifier: MSS. Archives. FA 2011/01. Series 2. Sub-Series 2/1. Sub-Series 2/1/1. Sub-Series 2/1/1/2. Item 51-77
Scope and Contents
From the Collection:
This collection consists of etchings, lithographs and woodcuts which demonstrate how prints that utilise traditional commercial processes can become works of fine art.
The items are drawn from T. V. Gulliver’s private collection with many of the works depicting Auckland city scenes: the Domain, Grafton Gully, the waterfront and industrial buildings.
In addition to the work of Quoin Club members there is also ephemera and photographs relating to the Club, as well as...
Dates:
1920